BmG
It's so easy to lose the burden - Take our eyes off the fields.
BmGC#m
Settle into apathy and forget what the harvest yields - It's so easy
C#m
to think we're finished with our labor for awhile - Kick back and let
C#m
somebody else go the extra mile
(Chorus)
DmCDmA#FDmFCDm
Jesus said Go (Go!) Into all the world - Make disciples of all men
DmCDmA#FCFGA
We gotta Go (Go!) to the highways and compel them to come in
DABmGDABm
As long as there's a tearful eye that cries alone at night
DABmGA
As long as there's a weary soul ready to end the fight
GG/F#AEmEm/F#G
As long as there's an aching heart that still has strength to beat
DABmGFCDmDmCDmC
We gotta take this message Back to the street
FCDmA#FCDm
We gotta take this message Back to the street
BmG
It's so easy to stay untangled in everyone else's life
(See #1 Below)
|------------------|------------------|-------------------|
|------------------|------------------|----------7--------|
|-----------7-6---4|--7-6---4-------7-6-4-7--7-4--7-7-----|
|----------4-7-7-4-|-4-7-7-4-------4-7-7----4------7------|
|------------------|------------------|-------------------|
|---------7--------|7-------------3---|----3--------------|
(Next Verse... Repeat in similar manner)
BmG
Don't get involved with strangers - don't get involved with strife
BmABmABmABmABm
It's so easy to save your own life - resting on what you've done
ABmABmABmABmBm
But Jesus would leave the ninety nine to try to save the one
(Repeat Chorus)
(2nd Time Through leading up to solo)
Root 6 Power Chords
ABmABmGA
| || | | | || (Repeat)
(Solo)
|-----10\9-----12--9--12^15~---------------|
|---12----10-----12-12---------------------|
|-11--------9------------------------------|
|------------------------------------------|
|------------------------------------------|
|------------------------------------------|
|--------------------------17-15-14~-------|
|-9h12/14p12h14/17/19p17-19----------------|
|------------------------------------------|
|------------------------------------------|
|------------------------------------------|
|------------------------------------------|
A (Note #2)
It's not easy to beat the system - It's not easy to face the heat
BmBmGABm
But somebody's got to take this message - Back to the street
(Repeat Chorus)
Ron's Guitar Notes:
===================
#1 Bob Hartman (lead guitarist for Petra) uses a muted "crunch"
on these notes, most likely accomplished through the use of
dampening the strings with the heel of the right hand.
#2 Anyone know how Bob pulls off this massive Whammy effect? I've not
been able to duplicate it. (Just keep practicing, right?)
#3 I've found that the easiest (and best sounding) way of executing
the quick Dm-Dm-C-Dm (Jesus said, Go!), found in the Chorus, is to
make a root five Dm, then pull off the last three fingers, leaving
just the bar on the 5th fret. This also works for the other
(Dm-C-Dm-C) part just after 'We gotta take this message...Back to
the street'
Tabbed, the Chorus part would look like:
DmDmCDmA#
|------------------------------------------------------------|
|---6--6----------6----3-------------------------------------|
|---7--7----5-----7----3-------------------------------------|
|---7--7----5-----7----3-------------------------------------|
|---5--5----5-----5----1-------------------------------------|
|------------------------------------------------------------|
Je-sus said Go (Go!)
#4 Since I'm on the subject of chords, generally I've found that
the root 5 and 6 "power" chords sound best throughout the song...
Except for this area of the song, which seems to sound best played
with conventional chords: (D with an open 4th string, A with the
open 5th string, etc.)
<>
DABmGA
As long as there's a weary soul ready to end the fight
GG/F#AEmEm/F#G
As long as there's an aching heart that still has strength to beat
DABmG
We gotta take this message
<>
FCDmDmCDmC
Back to the street
#5 Concerning part B of Bob's solo, the closest I was able to come to
"sounding like Bob" was to rapidly work the 2nd string in a rapid
fashion, climbing and sliding my way from the 9th to the 19th fret.
Just keep the notes ringing and let them meld together. It's also
possible that Bob plays ALL the notes of part B on the 2nd string.
Experiment with it.
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